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KIPPS - The New Half A Sixpence Musical

Director

KAZIA GRAINGER

Musical Director

OWEN LLOYD

Assistant Director

CATH HANNAN

Choreographers

CATH HANNAN,
DENISE SCHULT &
KAZIA GRAINGER

📸 Emma Ramskill

In a timeless story of money, class and love, we meet Arthur Kipps, an orphan and over-worked draper’s assistant at Shalford’s Bazaar in Folkestone in the early 1900s. He is a charming but ordinary young man who, along with his fellow apprentices, dreams of a better and more fulfilling life. When he unexpectedly inherits a fortune that propels him into high society, it confuses everything he thought he knew.

As well as delivering classic numbers from the original stage show, ‘Kipps’ revisits H.G. Wells’ semi-autobiographical novel to refresh the story for a modern-day audience and highlight some of the important social changes going on at the time.

The result is an infectious, joyous journey, filled with musical favourites such as If The Rain’s Got To Fall and the riotous Flash, Bang, Wallop as well as new, toe-tapping numbers. A timeless yet contemporary production.

Learn more about the show

Based on the H.G. Wells novel “KIPPS: The Story of a Simple Soul”
and the original musical by Beverley Cross and David Heneker.

Original Songs by

David Heneker

Book by

Julian Fellowes

New Songs and Additional Music and Lyrics by

George Stiles and Anthony Drewe

Orchestrations by William David Brohn. Co-Created by Cameron Mackintosh.

Performed by The Sainsbury Singers, an award-winning musical theatre group based in Reading.
KIPPS was an amateur production presented by arrangement with Music Theatre International.
All authorised performance materials were also supplied by MTI. www.mtishows.co.uk

The verdict....

★ ★ ★ ★ ★

Sublime joyful performances by one and all. Pure entertainment from start to finish.

What a fantastic show from start to finish. The big musical numbers made you want to join in! So amazing! I thought all the actors and chorus were brilliant, especially Kipps and Ann. I would definitely recommend this show. Well done The Sainsbury Singers!

What an amazing show! The set was phenomenal and the cast were so professional and we could really feel the energy and enjoyment. I haven’t laughed so much for ages. A genuine pleasure.

Fantastic show. The Sainsbury Singers productions are so professional – cannot wait for their next project. The young man who played Kipps was brilliant.

Excellent, professional show, the atmosphere really lifted you, musicians amazing, the show had you wanting to join in. It was so good I booked to go again. Been to a few of the Sainsbury Singers shows and have to say this has been one of their best! Congratulations to all the cast. I look forward to next year’s production.

Excellent show! Very slick and polished performances. Can’t fault it.

Absolutely amazing cast. Five star quality, on par with West End shows!

What a fantastic production. The music, production and choreography was brilliant, especially with so many cast members on stage. All the cast acted and sang their hearts out, they were fabulous. A special mention must go to all the leads as they made the storyline come alive – simply wonderful. We’re certainly looking forward to the next production. A special mention must go to Mr Kipps, he was phenomenal, we look forward to seeing more of him in the future.

Wonderful, fun, professional production…I highly recommend it!

Fabulous show, first class singing, acting and dancing. The Sainsbury Singers delivered a polished performance, worthy of the West End. Thank you!

Absolutely amazing!! Full of energy and passion for the roles they were playing. We loved it!

Amazing show!, Got my full attention throughout. Very well casted, the voices, the energy, the choreography, the costumes and the stage set, all spectacular!

To be honest, the first half was a bit slow. Luckily, the second half made up for it. It was great. There were the Tommy Steele songs we know and love, plus a lot of jokes and comedy. The actors and actresses were really good. The singers were lovely, but the main singers, Ann & Kipps, were great. The young man who played Kipps was brilliant! Fantastic voice and acting. He was really well suited for that part. He had the cheeky look and a way of Tommy Steele himself. He should go far.

Fabulous cast, amazing set. Could have easily been a West End performance.

Amazing show, fantastic singing and choreography, West End talent and performances from everyone! Enjoyed it from start to finish!

Everyone was amazing, the leading man was incredible – this did not seem to be an amateur production.

Fab show – great talent, lots of laughs and shear professionalism.

Professionally staged and the energy and enthusiasm from the cast was infectious. Absolutely fantastic show.

Excellent production with great sound and lighting. The cast did a wonderful job. We thoroughly enjoyed it.

Would not be out of place on the West End. Fabulous performance and staging.

Loved the whole show, the Hexagon was fantastic and the staff were all very kind and helpful. Huge congratulations to the whole production team – you all smashed it! 🙂

As good as the West End. Kipps, Ann, Flo and Helen and the supporting acts were outstanding.

Brilliant, Brilliant, Brilliant! Could hear every word of the performers. They were fab, fab, fab. Await the next one.

★ ★ ★ ★

Loved it

Very good performance by the actors and musicians.

Cate Naylor - NODA Regional Representative (District L13) Thank you for inviting me to your ‘flash bang wallop’ of a show and to Olivia for welcoming us when we arrived. The production boasted a strong cast and energy, enthusiasm and congeniality simply spilled out from the stage. The young actor playing the lead Arthur Kipps was outstanding was very well supported by the other principals and ensemble.

It was hard to believe that this was the director’s first time directing a show. She had created a fast moving and slick show with imaginative direction and had worked with this large cast to ensure that all the actors be they principals or ensemble developed their individual characterisation. It was clear that she had instilled her own enthusiasm for the show into the cast so that they gave lively and energetic performances. The show had a real feel-good factor, and everyone looked to be loving every minute of their time on stage.

The show has a terrific score, and the singing was almost non-stop with some lovely harmonies. Under the direction of the MD Owen everyone looked confident with their songs and the singing was to a very high standard. There are some fabulous voices in both the principal cast and ensemble and this really showed in the musical numbers. The group were very well supported by a brilliant 12-piece band which gave excellent accompaniment in the musical numbers and underscore.

This show has some great toe tapping chorus numbers and lively dance routines. Together, this team of choreographers created fresh routines for the ensemble and principals, which were tailored to styles of the musical numbers. There were good contrasts between the big whole cast numbers and the quieter duets with the movement suiting each very well.

Cate Naylor – NODA Regional Representative (District L13)

NODA - For every stage

Meet the team...

Character Played by
Arthur Kipps Alex Hutson
Ann Pornick Rosie Sumner
Aunt Susan Kipps Jessamy Vincent
Uncle Bert Kipps Dan Wainman
Mr Shalford Brian Bretney
Carshot Steve Jewell
Sid Pornick Chris Thomas
Pierce Stephen Cox
Buggins Josh Bethel
Flo Evans Maea Rulton-Best
Helen Walsingham Jessica Wilkins
Mrs Walsingham Cat Hill
James Walsingham Simon Moore
Lady Punnet Sara El-Hanfy
Miss Ross Kelly Herman
Miss Hayes Becca Harrington
Chitterlow Dean Davis
Foster Michael Schult
Lady Dacre Lucy Hutson
Mrs Bindo-Botting Lorraine Cox
Mr Maxwell Sean Faulkner
Mary Penny Sentance
Photographer Sam Morris
Ensemble: Abi Lingwood, CarolAnne Eddy, Claire Wilson, Denise Schult, Hannah Rakowska, Jo Shannon-Little, Kate Petford, Laura Schult, Mel Gogerly, Melanie Constance, Paige Montagnon, Samantha Viner-Smart, Stuart Evans, Tom Brown, Tracey Essery
Instrument Played by
Keyboard Cameron Baker, Edward Walter
Drums, Percussion Colin Gray
Bass Louise Lloyd
Banjo, Guitar Andrew Smith
Flute, Piccolo Catherine Piper
Clarinet Anna O’Brien
Bass Clarinet, Baritone Saxophone, Clarinet Victoria Benjamin
Trumpet Gregor Spowart, John Sayer
Trombone John Deane, Nick Kershaw
Conducted by Owen Lloyd

Production team

RolePerson
DirectorKazia Grainger
Musical DirectorOwen Lloyd
Assistant DirectorCath Hannan
ChoreographersCath Hannan, Denise Schult, Kazia Grainger

Back stage

RolePerson / Team
Production CoordinatorJackie Stoffels
Lighting DesignKim Hollamby
Technical AdvisorLouis Martin
Stage Manager, Props Co-ordinatorAlison Saunders
Stage ManagerCaroline Saunders
Deputy Stage ManagerRebecca Simons
Stage CrewDavid Edwards, Emma Toft, Jamie Worthington, Joe Daniels, John Simmonds, Karen Korna, Mike Smith, Richard Haygreen
Sound Designer and SFX (Hexagon)Dan Bryan
Production Sound EngineerJohn Ollerenshaw
Sound No. 2Sally Ollerenshaw
Head of Flys (Hexagon)Steve Foster
PropsSimon Turner (2nd Chanceprops)
Costume DesignerLaura Schult
Costume TeamEmma Fry, Hannah Rakowska, Laura Schult, Mel Gogerly, Paige Montagnon
Makeup & Hair DesignLaura Schult, Rosie Sumner
BSL (British Sign Language) interpreterFliss Becker
Front of House PresentationJessamy Vincent
Front of House ManagerOlivia Land
Front of House LiaisonMichael Schult
Front of House TeamAndy Schult, Becs Lees, Elaine Harvey, Emma Fry, Eve MacDonald, Georgia Long, Gordon Wyard, Hils Latimer, Jadea Rolston, Jasmine Hogg, Mags James, Margaret Rulton, Norman James, Olly Harrison, Pen Rulton, Peter Rulton, Rob Latimer, Sarah Morris

Suppliers and collaborators

RolePerson / Team
Set HireScenic Projects – www.scenicprojects.co.uk
WebmasterKim Hollamby
Marketing Officer (for Committee)Jessamy Vincent
Digital Marketing LeadDan Wainman
Marketing TeamDenise Schult, Eve MacDonald, Hannah Scarisbrick-Rowe, Louise Quelch, Steve Jewell
Photography (Rehearsal, Publicity and Dress rehearsal)Emma Ramskill (@looloo72)
Biography PhotosJohanna Shannon-Little – jslittlephotography.co.uk
Programme TeamKaren Korna, Penny Sentance, Tracey Essery
Ticket OfficerStephen Cox
Fundraising LeadMichael Schult
Fundraising AssistantLorraine Cox
Social TeamKate Petford, Louise Quelch

Many thanks to…
The Grange United Reformed Church; Tyndale Baptist Church; Berkshire Music Trust for the kind loan of the bassoon

Explore the show...

Act One
  • Overture — The Band
  • Half a Sixpence — Arthur Kipps and Ann Pornick
  • Look Alive — Company
  • Money to Burn — Arthur Kipps, Mr Shalford, Sid Pornick, Buggins, Pierce and Flo
  • Believe in Yourself — Arthur Kipps and Helen Walsingham
  • She’s Too Far Above Me — Arthur Kipps
  • Money to Burn (Reprise) — Arthur Kipps and Chitterlow
  • A Proper Gentleman — Arthur Kipps, Sid Pornick, Buggins, Pearce and Flo
  • Half a Sixpence (Reprise) — Arthur Kipps and Ann Pornick
  • Long Ago — Ann Pornick
  • The Joy of the Theatre — Chitterlow and Company
  • Just a Few Little Things — Helen Walsingham and Arthur Kipps
  • A Little Touch of Happiness — Ann Pornick and Flo
  • If The Rain’s Got to Fall — Mrs Walsingham, Arthur Kipps, Foster, Helen Walsingham, Lady Punnet and Company
Act Two
  • The One That’s Run Away — Chitterlow & Arthur Kipps
  • Pick Out a Simple Tune — Arthur Kipps and Ann Pornick
  • You Never Get Anything Right / I Know
  • Who I Am — Arthur Kipps and Ann Pornick
  • We’ll Build a Palace / I Only Want a Little House — Arthur Kipps, Helen Walsingham, Mrs Walsingham, James Walsingham
  • In the Middle There’s Me — Arthur Kipps, Buggins, Sid Pornick and Pierce
  • Long Ago (Reprise) — Arthur Kipps and Ann Pornick
  • Flash Bang Wallop — Arthur Kipps, Ann Pornick, Mr. Shalford, Pearce, Sid Pornick, Buggins, Flo, Photographer and Company
  • Flash Bang Wallop (Reprise) — Chitterlow, Arthur Kipps, Ann Pornick, Mr. Shalford, Pearce, Sid Pornick, Buggins, Flo, Photographer and Company
  • Finale — Company

Arthur Kipps, an orphan, is an over-worked draper’s assistant at Shalford’s Bazaar, Folkestone, at the turn of the last century. He is a charming but ordinary young man who, along with his fellow apprentices, dreams of a better and more fulfilling world.

One of his friends, Sid Pornick, has a strong sense that socialism has a lot to offer the working man and seeks fairer access to life opportunities, a theme which is reinforced throughout the story. As a result of a chance meeting with Mr Chitterlow, a burgeoning playwright, Kipps finds he has unexpectedly inherited a fortune!

This propels him into high society and confuses everything he thought he knew about life. As Arthur wrestles with his new identity, Ann Pornick, his childhood friend and Sid’s sister, watches from a distance. She sees with dismay how he is being made over in a new image by the money-grabbing Mrs Walsingham and her son James.

Mrs Walsingham’s daughter, Helen is trying to escape the bounds of her conventional upper-class existence and recognises Arthur’s decency ‘despite’ his working-class credentials. She is always there with well-meant helpful hints on how Arthur could improve himself and make his life richer and more meaningful, if only he would believe in himself. Sadly, she becomes implicated in her family’s somewhat less honourable plans, and when Arthur proposes, she agrees to marry him.

A chance meeting with Ann re-kindles happy memories for Kipps of simpler times when they were children, and causes him to reflect, somewhat critically, on the life he is now trying to fit into.

Both Helen and Ann love Arthur – there is no doubt about that – but which one should he listen to? With the help of his friends, Arthur learns that if you want to have the chance of living the right life, you need to make the right choices.

Book – JULIAN FELLOWES. Educated at Ampleforth and Magdalene College, Cambridge, Julian Fellowes is a multi-award-winning actor, writer, director and producer. As creator, sole writer and executive producer of the hit television series Downton Abbey, Fellowes has won three Emmy awards and a Golden Globe.

Fellowes received the Academy Award for Best Original Screenplay for Gosford Park (2002). His work was also honoured by the Writer’s Guild of America, the New York Film Critics’ Circle and the National Society of Film Critics for Best Screenplay. Other writing credits for film include Piccadilly Jim (2004), Vanity Fair (2004), Young Victoria (2009), The Tourist (2010), Romeo & Juliet (2013), and the three-part drama Doctor Thorne for ITV. Fellowes also wrote and directed the award-winning films Separate Lies and From Time to Time. Fellowes wrote the books for the Tony-nominated stage production of Mary Poppins and for School of Rock: The Musical which opened on Broadway in December 2015, and was written and produced by Andrew Lloyd Webber.

Fellowes has authored two novels: the international bestsellers Snobs (2005) and Past Imperfect (2008).

Julian Fellowes became a life peer in 2011. He lives in Dorset and London with his wife, Emma.



New Songs and Additional Music and Lyrics – GEORGE STILES. George Stiles and Anthony Drewe (Stiles and Drewe) are a multi award-winning musical theatre writing partnership. Writing credits include Honk! (National / UK Tour / Worldwide); Mary Poppins (West End / Broadway / Worldwide); The Wind in the Willows (UK Tour and West End); Cameron Mackintosh’s new version of Half A Sixpence (Chichester Festival Theatre / West End); Travels With My Aunt (Minerva Theatre, Chichester); Betty Blue Eyes (West End / UK Tour); Just So (Tricycle / Chichester Festival Theatre / Worldwide); Peter Pan – A Musical Adventure (West Yorkshire Playhouse / Birmingham Rep / Royal Festival Hall / Worldwide); Soho Cinders (Soho Theatre / in concert at the Queen’s Theatre); The Three Little Pigs (West End / UK Tour and International Tour); Goldilocks and the Three Bears and The Three Billy Goats Gruff (Singapore Rep).

Future projects include a stage version of Robert Harling’s film Soapdish, and a new musical with director/choreographer Jerry Mitchell.

Independently as a composer, George’s credits include the musicals Moll Flanders; The Three Musketeers; Tom Jones and the scores for Sam Mendes’ stage productions of Twelfth Night and Uncle Vanya (Donmar Warehouse / BAM NYC).

Other projects include: song contributions for Dame Edna Everage’s Look At Me When I’m Talking to You; The Shakespeare Revue (RSC) as well as a variety of material for TV and radio.

Awards include the Laurence Olivier Award for Best New Musical for Honk!,  three of the top prizes at the Musical of the Year Awards for Peter Pan and The Three Musketeers, the TMA Best Musical Award (Moll Flanders), The Straits Times Award for Best Musical (A Twist of Fate) and the first ever Vivian Ellis Prize (Just So). Mary Poppins has won 45 major theatre awards around the globe including Tony, Olivier, Helpmann and London Evening Standard Awards. Laurence Olivier nominations include Mary Poppins and Betty Blue Eyes.

Stiles and Drewe’s passion for new musical theatre writing is recognised via the annual Stiles and Drewe Prize for Best New Song, and their new Mentorship Award supported by Music Theatre International (Europe). They are also founding board members of Mercury Musical Developments (MMD), Associate Artists at The Watermill Theatre and patrons of the London Musical Theatre Orchestra and The Musical Theatre Academy (MTA).



New Songs and Additional Music and Lyrics – ANTHONY DREWE. Anthony Drewe and George Stiles (Stiles and Drewe) are a multi award-winning musical theatre writing partnership. Writing credits include Honk! (National / UK Tour / Worldwide); Mary Poppins (West End / Broadway / Worldwide); The Wind in the Willows (UK Tour and West End); Cameron Mackintosh’s new version of Half A Sixpence (Chichester Festival Theatre / West End); Travels With My Aunt (Minerva Theatre, Chichester); Betty Blue Eyes (West End / UK Tour); Just So (Tricycle / Chichester Festival Theatre / Worldwide); Peter Pan – A Musical Adventure (West Yorkshire Playhouse / Birmingham Rep / Royal Festival Hall / Worldwide); Soho Cinders (Soho Theatre / in concert at the Queen’s Theatre); The Three Little Pigs (West End / UK Tour and International Tour); Goldilocks and the Three Bears and The Three Billy Goats Gruff (Singapore Rep).

Future projects include a stage version of Robert Harling’s film Soapdish, and a new musical with director/choreographer Jerry Mitchell.

Independently as a lyricist, Anthony’s credits include The Card (Watermill / Regents Park) and A Twist of Fate (Singapore Rep).

Other projects include: song contributions for Dame Edna Everage’s Look At Me When I’m Talking to You; The Shakespeare Revue (RSC) as well as a variety of material for TV and radio.

Awards include the Laurence Olivier Award for Best New Musical for Honk!,  three of the top prizes at the Musical of the Year Awards for Peter Pan and The Three Musketeers, the TMA Best Musical Award (Moll Flanders), The Straits Times Award for Best Musical (A Twist of Fate) and the first ever Vivian Ellis Prize (Just So). Mary Poppins has won 45 major theatre awards around the globe including Tony, Olivier, Helpmann and London Evening Standard Awards. Laurence Olivier nominations include Mary Poppins and Betty Blue Eyes.

Stiles and Drewe’s passion for new musical theatre writing is recognised via the annual Stiles and Drewe Prize for Best New Song, and their new Mentorship Award supported by Music Theatre International (Europe). They are also founding board members of Mercury Musical Developments (MMD), Associate Artists at The Watermill Theatre and patrons of the London Musical Theatre Orchestra and The Musical Theatre Academy (MTA).



Original Songs – DAVID HENEKER was a British lyricist best-known for his score of the hit musical Half a Sixpence, and the winner of three Ivor Novello Awards (given to outstanding British songwriters and composers). Heneker’s musical career didn’t truly get going until after World War II, when he began playing piano in London clubs on a regular basis, as well as writing and recording his own original compositions. His first scores for a musical came in 1958, when he collaborated with Monty Norman on the satire on London lowlife Expresso Bongo, following it up shortly thereafter with Irma la Douce (a collaboration with Norman and Julian More), which turned out to be a big hit on the West End of London. It eventually opened stateside, becoming a hit on Broadway in 1960, and was made into a movie starring Jack Lemmon and Shirley MacLaine in 1963. But it was 1965’s Half a Sixpence that became Heneker’s tour de force. First performed in 1965, it introduced American audiences to Tommy Steele when it opened on Broadway. Heneker died near Cardigan, Wales, in 2001 at the age of 94.



Co-Creator – CAMERON MACKINTOSH is the Owner and Co-Chairman of MTI. He has been producing shows since 1967 and remains the world’s most prolific producer of musicals in theatre history. As well as producing three of the world’s longest running musicals – Les Misérables, The Phantom of the Opera and Cats – his legendary productions include Miss Saigon, Oliver!, Mary Poppins (co-produced with Disney), Side By Side By Sondheim, Little Shop of Horrors, Song and Dance, Tomfoolery, Martin Guerre, The Witches of Eastwick and Five Guys Named Moe. His acclaimed productions of My Fair Lady, Oklahoma! and Carousel have all been international successes, as have his reinvented new productions of Les Misérables, Miss Saigon and The Phantom of the Opera. Cameron is also co-producer with Jeffrey Seller of Hamilton in London.

In 2013, alongside Working Title Films and Universal, Cameron produced the hugely successful Oscar®, Golden Globe and BAFTA award-winning film adaptation of Les Misérables, which is one of the most successful movies ever of an original stage musical. The concert version of Les Misérables, which was first staged in 1989 at Domain Park in Sydney, has proved to be just as successful as the staged musical around the world. It has been filmed three times – at the Royal Albert Hall, the O2 Arena and the Gielgud Theatre – and is continually rescreened on TV and in cinemas throughout the world and, alongside his spectacular Royal Albert Hall production of The Phantom of the Opera, regularly breaks attendance records for live recording performances of musical theatre.

Cameron owns and operates eight historic London theatres, which have all been spectacularly rebuilt and refurbished for the 21st century. They house many of London’s most successful hits. The Sondheim, formerly known as the Queen’s, now has a glorious auditorium and backstage and has been renamed in honour of Cameron’s great friend, theatrical legend Stephen Sondheim, who recently died. The last show he and Cameron were working on, Old Friends, premiered onstage and then TV as a sensational all-star gala last year and is now opening at the Gielgud this September for a limited season with a terrific cast including many of those from the gala, headed by Broadway legends Bernadette Peters and Lea Salonga.

In 1990, Cameron inaugurated the Chair of Contemporary Theatre at St Catherine’s College in Oxford University, with Stephen Sondheim as his visiting professor. Music Theatre International, the world’s largest owner of secondary rights of many of the greatest musicals ever written, is now one of Cameron’s companies.

Cameron was knighted in the 1996 New Year’s Honours for his services to British theatre and in June 2023, was awarded the Freedom of the City of London. He is the first British producer ever to be elected to Broadway’s Theater Hall of Fame.

Read the programme...