
KIPPS - The New Half A Sixpence Musical
- 15-18 May 2024
- The Hexagon, Reading
Director
KAZIA GRAINGER
Musical Director
OWEN LLOYD
Assistant Director
CATH HANNAN
Choreographers
CATH HANNAN,
DENISE SCHULT &
KAZIA GRAINGER
In a timeless story of money, class and love, we meet Arthur Kipps, an orphan and over-worked draper’s assistant at Shalford’s Bazaar in Folkestone in the early 1900s. He is a charming but ordinary young man who, along with his fellow apprentices, dreams of a better and more fulfilling life. When he unexpectedly inherits a fortune that propels him into high society, it confuses everything he thought he knew.
As well as delivering classic numbers from the original stage show, ‘Kipps’ revisits H.G. Wells’ semi-autobiographical novel to refresh the story for a modern-day audience and highlight some of the important social changes going on at the time.
The result is an infectious, joyous journey, filled with musical favourites such as If The Rain’s Got To Fall and the riotous Flash, Bang, Wallop as well as new, toe-tapping numbers. A timeless yet contemporary production.
Based on the H.G. Wells novel “KIPPS: The Story of a Simple Soul”
and the original musical by Beverley Cross and David Heneker.
Original Songs by
David Heneker
Book by
Julian Fellowes
New Songs and Additional Music and Lyrics by
George Stiles and Anthony Drewe
Orchestrations by William David Brohn. Co-Created by Cameron Mackintosh.
Performed by The Sainsbury Singers, an award-winning musical theatre group based in Reading.
KIPPS was an amateur production presented by arrangement with Music Theatre International.
All authorised performance materials were also supplied by MTI. www.mtishows.co.uk
The verdict....
★ ★ ★ ★ ★
Sublime joyful performances by one and all. Pure entertainment from start to finish.
What a fantastic show from start to finish. The big musical numbers made you want to join in! So amazing! I thought all the actors and chorus were brilliant, especially Kipps and Ann. I would definitely recommend this show. Well done The Sainsbury Singers!
What an amazing show! The set was phenomenal and the cast were so professional and we could really feel the energy and enjoyment. I haven’t laughed so much for ages. A genuine pleasure.
Fantastic show. The Sainsbury Singers productions are so professional – cannot wait for their next project. The young man who played Kipps was brilliant.
Excellent, professional show, the atmosphere really lifted you, musicians amazing, the show had you wanting to join in. It was so good I booked to go again. Been to a few of the Sainsbury Singers shows and have to say this has been one of their best! Congratulations to all the cast. I look forward to next year’s production.
Excellent show! Very slick and polished performances. Can’t fault it.
Absolutely amazing cast. Five star quality, on par with West End shows!
What a fantastic production. The music, production and choreography was brilliant, especially with so many cast members on stage. All the cast acted and sang their hearts out, they were fabulous. A special mention must go to all the leads as they made the storyline come alive – simply wonderful. We’re certainly looking forward to the next production. A special mention must go to Mr Kipps, he was phenomenal, we look forward to seeing more of him in the future.
Wonderful, fun, professional production…I highly recommend it!
Fabulous show, first class singing, acting and dancing. The Sainsbury Singers delivered a polished performance, worthy of the West End. Thank you!
Absolutely amazing!! Full of energy and passion for the roles they were playing. We loved it!
Amazing show!, Got my full attention throughout. Very well casted, the voices, the energy, the choreography, the costumes and the stage set, all spectacular!
To be honest, the first half was a bit slow. Luckily, the second half made up for it. It was great. There were the Tommy Steele songs we know and love, plus a lot of jokes and comedy. The actors and actresses were really good. The singers were lovely, but the main singers, Ann & Kipps, were great. The young man who played Kipps was brilliant! Fantastic voice and acting. He was really well suited for that part. He had the cheeky look and a way of Tommy Steele himself. He should go far.
Fabulous cast, amazing set. Could have easily been a West End performance.
Amazing show, fantastic singing and choreography, West End talent and performances from everyone! Enjoyed it from start to finish!
Everyone was amazing, the leading man was incredible – this did not seem to be an amateur production.
Fab show – great talent, lots of laughs and shear professionalism.
Professionally staged and the energy and enthusiasm from the cast was infectious. Absolutely fantastic show.
Excellent production with great sound and lighting. The cast did a wonderful job. We thoroughly enjoyed it.
Would not be out of place on the West End. Fabulous performance and staging.
Loved the whole show, the Hexagon was fantastic and the staff were all very kind and helpful. Huge congratulations to the whole production team – you all smashed it! 🙂
As good as the West End. Kipps, Ann, Flo and Helen and the supporting acts were outstanding.
Brilliant, Brilliant, Brilliant! Could hear every word of the performers. They were fab, fab, fab. Await the next one.
★ ★ ★ ★ ★
Loved it
Very good performance by the actors and musicians.
Thank you for inviting me to your ‘flash bang wallop’ of a show and to Olivia for welcoming us when we arrived. The production boasted a strong cast and energy, enthusiasm and congeniality simply spilled out from the stage. The young actor playing the lead Arthur Kipps was outstanding was very well supported by the other principals and ensemble.
It was hard to believe that this was the director’s first time directing a show. She had created a fast moving and slick show with imaginative direction and had worked with this large cast to ensure that all the actors be they principals or ensemble developed their individual characterisation. It was clear that she had instilled her own enthusiasm for the show into the cast so that they gave lively and energetic performances. The show had a real feel-good factor, and everyone looked to be loving every minute of their time on stage.
The show has a terrific score, and the singing was almost non-stop with some lovely harmonies. Under the direction of the MD Owen everyone looked confident with their songs and the singing was to a very high standard. There are some fabulous voices in both the principal cast and ensemble and this really showed in the musical numbers. The group were very well supported by a brilliant 12-piece band which gave excellent accompaniment in the musical numbers and underscore.
This show has some great toe tapping chorus numbers and lively dance routines. Together, this team of choreographers created fresh routines for the ensemble and principals, which were tailored to styles of the musical numbers. There were good contrasts between the big whole cast numbers and the quieter duets with the movement suiting each very well.
Cate Naylor – NODA Regional Representative (District L13)
Meet the team...
Character | Played by |
---|---|
Arthur Kipps | Alex Hutson |
Ann Pornick | Rosie Sumner |
Aunt Susan Kipps | Jessamy Vincent |
Uncle Bert Kipps | Dan Wainman |
Mr Shalford | Brian Bretney |
Carshot | Steve Jewell |
Sid Pornick | Chris Thomas |
Pierce | Stephen Cox |
Buggins | Josh Bethel |
Flo Evans | Maea Rulton-Best |
Helen Walsingham | Jessica Wilkins |
Mrs Walsingham | Cat Hill |
James Walsingham | Simon Moore |
Lady Punnet | Sara El-Hanfy |
Miss Ross | Kelly Herman |
Miss Hayes | Becca Harrington |
Chitterlow | Dean Davis |
Foster | Michael Schult |
Lady Dacre | Lucy Hutson |
Mrs Bindo-Botting | Lorraine Cox |
Mr Maxwell | Sean Faulkner |
Mary | Penny Sentance |
Photographer | Sam Morris |
Instrument | Played by |
---|---|
Keyboard | Cameron Baker, Edward Walter |
Drums, Percussion | Colin Gray |
Bass | Louise Lloyd |
Banjo, Guitar | Andrew Smith |
Flute, Piccolo | Catherine Piper |
Clarinet | Anna O’Brien |
Bass Clarinet, Baritone Saxophone, Clarinet | Victoria Benjamin |
Trumpet | Gregor Spowart, John Sayer |
Trombone | John Deane, Nick Kershaw |
Production team
Role | Person |
---|---|
Director | Kazia Grainger |
Musical Director | Owen Lloyd |
Assistant Director | Cath Hannan |
Choreographers | Cath Hannan, Denise Schult, Kazia Grainger |
Back stage
Role | Person / Team |
---|---|
Production Coordinator | Jackie Stoffels |
Lighting Design | Kim Hollamby |
Technical Advisor | Louis Martin |
Stage Manager, Props Co-ordinator | Alison Saunders |
Stage Manager | Caroline Saunders |
Deputy Stage Manager | Rebecca Simons |
Stage Crew | David Edwards, Emma Toft, Jamie Worthington, Joe Daniels, John Simmonds, Karen Korna, Mike Smith, Richard Haygreen |
Sound Designer and SFX (Hexagon) | Dan Bryan |
Production Sound Engineer | John Ollerenshaw |
Sound No. 2 | Sally Ollerenshaw |
Head of Flys (Hexagon) | Steve Foster |
Props | Simon Turner (2nd Chanceprops) |
Costume Designer | Laura Schult |
Costume Team | Emma Fry, Hannah Rakowska, Laura Schult, Mel Gogerly, Paige Montagnon |
Makeup & Hair Design | Laura Schult, Rosie Sumner |
BSL (British Sign Language) interpreter | Fliss Becker |
Front of House Presentation | Jessamy Vincent |
Front of House Manager | Olivia Land |
Front of House Liaison | Michael Schult |
Front of House Team | Andy Schult, Becs Lees, Elaine Harvey, Emma Fry, Eve MacDonald, Georgia Long, Gordon Wyard, Hils Latimer, Jadea Rolston, Jasmine Hogg, Mags James, Margaret Rulton, Norman James, Olly Harrison, Pen Rulton, Peter Rulton, Rob Latimer, Sarah Morris |
Suppliers and collaborators
Role | Person / Team |
---|---|
Set Hire | Scenic Projects – www.scenicprojects.co.uk |
Webmaster | Kim Hollamby |
Marketing Officer (for Committee) | Jessamy Vincent |
Digital Marketing Lead | Dan Wainman |
Marketing Team | Denise Schult, Eve MacDonald, Hannah Scarisbrick-Rowe, Louise Quelch, Steve Jewell |
Photography (Rehearsal, Publicity and Dress rehearsal) | Emma Ramskill (@looloo72) |
Biography Photos | Johanna Shannon-Little – jslittlephotography.co.uk |
Programme Team | Karen Korna, Penny Sentance, Tracey Essery |
Ticket Officer | Stephen Cox |
Fundraising Lead | Michael Schult |
Fundraising Assistant | Lorraine Cox |
Social Team | Kate Petford, Louise Quelch |
Many thanks to…
The Grange United Reformed Church; Tyndale Baptist Church; Berkshire Music Trust for the kind loan of the bassoon
Explore the show...
- Overture — The Band
- Half a Sixpence — Arthur Kipps and Ann Pornick
- Look Alive — Company
- Money to Burn — Arthur Kipps, Mr Shalford, Sid Pornick, Buggins, Pierce and Flo
- Believe in Yourself — Arthur Kipps and Helen Walsingham
- She’s Too Far Above Me — Arthur Kipps
- Money to Burn (Reprise) — Arthur Kipps and Chitterlow
- A Proper Gentleman — Arthur Kipps, Sid Pornick, Buggins, Pearce and Flo
- Half a Sixpence (Reprise) — Arthur Kipps and Ann Pornick
- Long Ago — Ann Pornick
- The Joy of the Theatre — Chitterlow and Company
- Just a Few Little Things — Helen Walsingham and Arthur Kipps
- A Little Touch of Happiness — Ann Pornick and Flo
- If The Rain’s Got to Fall — Mrs Walsingham, Arthur Kipps, Foster, Helen Walsingham, Lady Punnet and Company
- The One That’s Run Away — Chitterlow & Arthur Kipps
- Pick Out a Simple Tune — Arthur Kipps and Ann Pornick
- You Never Get Anything Right / I Know
- Who I Am — Arthur Kipps and Ann Pornick
- We’ll Build a Palace / I Only Want a Little House — Arthur Kipps, Helen Walsingham, Mrs Walsingham, James Walsingham
- In the Middle There’s Me — Arthur Kipps, Buggins, Sid Pornick and Pierce
- Long Ago (Reprise) — Arthur Kipps and Ann Pornick
- Flash Bang Wallop — Arthur Kipps, Ann Pornick, Mr. Shalford, Pearce, Sid Pornick, Buggins, Flo, Photographer and Company
- Flash Bang Wallop (Reprise) — Chitterlow, Arthur Kipps, Ann Pornick, Mr. Shalford, Pearce, Sid Pornick, Buggins, Flo, Photographer and Company
- Finale — Company
Arthur Kipps, an orphan, is an over-worked draper’s assistant at Shalford’s Bazaar, Folkestone, at the turn of the last century. He is a charming but ordinary young man who, along with his fellow apprentices, dreams of a better and more fulfilling world.
One of his friends, Sid Pornick, has a strong sense that socialism has a lot to offer the working man and seeks fairer access to life opportunities, a theme which is reinforced throughout the story. As a result of a chance meeting with Mr Chitterlow, a burgeoning playwright, Kipps finds he has unexpectedly inherited a fortune!
This propels him into high society and confuses everything he thought he knew about life. As Arthur wrestles with his new identity, Ann Pornick, his childhood friend and Sid’s sister, watches from a distance. She sees with dismay how he is being made over in a new image by the money-grabbing Mrs Walsingham and her son James.
Mrs Walsingham’s daughter, Helen is trying to escape the bounds of her conventional upper-class existence and recognises Arthur’s decency ‘despite’ his working-class credentials. She is always there with well-meant helpful hints on how Arthur could improve himself and make his life richer and more meaningful, if only he would believe in himself. Sadly, she becomes implicated in her family’s somewhat less honourable plans, and when Arthur proposes, she agrees to marry him.
A chance meeting with Ann re-kindles happy memories for Kipps of simpler times when they were children, and causes him to reflect, somewhat critically, on the life he is now trying to fit into.
Both Helen and Ann love Arthur – there is no doubt about that – but which one should he listen to? With the help of his friends, Arthur learns that if you want to have the chance of living the right life, you need to make the right choices.

Fellowes received the Academy Award for Best Original Screenplay for Gosford Park (2002). His work was also honoured by the Writer’s Guild of America, the New York Film Critics’ Circle and the National Society of Film Critics for Best Screenplay. Other writing credits for film include Piccadilly Jim (2004), Vanity Fair (2004), Young Victoria (2009), The Tourist (2010), Romeo & Juliet (2013), and the three-part drama Doctor Thorne for ITV. Fellowes also wrote and directed the award-winning films Separate Lies and From Time to Time. Fellowes wrote the books for the Tony-nominated stage production of Mary Poppins and for School of Rock: The Musical which opened on Broadway in December 2015, and was written and produced by Andrew Lloyd Webber.
Fellowes has authored two novels: the international bestsellers Snobs (2005) and Past Imperfect (2008).
Julian Fellowes became a life peer in 2011. He lives in Dorset and London with his wife, Emma.

Future projects include a stage version of Robert Harling’s film Soapdish, and a new musical with director/choreographer Jerry Mitchell.
Independently as a composer, George’s credits include the musicals Moll Flanders; The Three Musketeers; Tom Jones and the scores for Sam Mendes’ stage productions of Twelfth Night and Uncle Vanya (Donmar Warehouse / BAM NYC).
Other projects include: song contributions for Dame Edna Everage’s Look At Me When I’m Talking to You; The Shakespeare Revue (RSC) as well as a variety of material for TV and radio.
Awards include the Laurence Olivier Award for Best New Musical for Honk!, three of the top prizes at the Musical of the Year Awards for Peter Pan and The Three Musketeers, the TMA Best Musical Award (Moll Flanders), The Straits Times Award for Best Musical (A Twist of Fate) and the first ever Vivian Ellis Prize (Just So). Mary Poppins has won 45 major theatre awards around the globe including Tony, Olivier, Helpmann and London Evening Standard Awards. Laurence Olivier nominations include Mary Poppins and Betty Blue Eyes.
Stiles and Drewe’s passion for new musical theatre writing is recognised via the annual Stiles and Drewe Prize for Best New Song, and their new Mentorship Award supported by Music Theatre International (Europe). They are also founding board members of Mercury Musical Developments (MMD), Associate Artists at The Watermill Theatre and patrons of the London Musical Theatre Orchestra and The Musical Theatre Academy (MTA).

Future projects include a stage version of Robert Harling’s film Soapdish, and a new musical with director/choreographer Jerry Mitchell.
Independently as a lyricist, Anthony’s credits include The Card (Watermill / Regents Park) and A Twist of Fate (Singapore Rep).
Other projects include: song contributions for Dame Edna Everage’s Look At Me When I’m Talking to You; The Shakespeare Revue (RSC) as well as a variety of material for TV and radio.
Awards include the Laurence Olivier Award for Best New Musical for Honk!, three of the top prizes at the Musical of the Year Awards for Peter Pan and The Three Musketeers, the TMA Best Musical Award (Moll Flanders), The Straits Times Award for Best Musical (A Twist of Fate) and the first ever Vivian Ellis Prize (Just So). Mary Poppins has won 45 major theatre awards around the globe including Tony, Olivier, Helpmann and London Evening Standard Awards. Laurence Olivier nominations include Mary Poppins and Betty Blue Eyes.
Stiles and Drewe’s passion for new musical theatre writing is recognised via the annual Stiles and Drewe Prize for Best New Song, and their new Mentorship Award supported by Music Theatre International (Europe). They are also founding board members of Mercury Musical Developments (MMD), Associate Artists at The Watermill Theatre and patrons of the London Musical Theatre Orchestra and The Musical Theatre Academy (MTA).


In 2013, alongside Working Title Films and Universal, Cameron produced the hugely successful Oscar®, Golden Globe and BAFTA award-winning film adaptation of Les Misérables, which is one of the most successful movies ever of an original stage musical. The concert version of Les Misérables, which was first staged in 1989 at Domain Park in Sydney, has proved to be just as successful as the staged musical around the world. It has been filmed three times – at the Royal Albert Hall, the O2 Arena and the Gielgud Theatre – and is continually rescreened on TV and in cinemas throughout the world and, alongside his spectacular Royal Albert Hall production of The Phantom of the Opera, regularly breaks attendance records for live recording performances of musical theatre.
Cameron owns and operates eight historic London theatres, which have all been spectacularly rebuilt and refurbished for the 21st century. They house many of London’s most successful hits. The Sondheim, formerly known as the Queen’s, now has a glorious auditorium and backstage and has been renamed in honour of Cameron’s great friend, theatrical legend Stephen Sondheim, who recently died. The last show he and Cameron were working on, Old Friends, premiered onstage and then TV as a sensational all-star gala last year and is now opening at the Gielgud this September for a limited season with a terrific cast including many of those from the gala, headed by Broadway legends Bernadette Peters and Lea Salonga.
In 1990, Cameron inaugurated the Chair of Contemporary Theatre at St Catherine’s College in Oxford University, with Stephen Sondheim as his visiting professor. Music Theatre International, the world’s largest owner of secondary rights of many of the greatest musicals ever written, is now one of Cameron’s companies.
Cameron was knighted in the 1996 New Year’s Honours for his services to British theatre and in June 2023, was awarded the Freedom of the City of London. He is the first British producer ever to be elected to Broadway’s Theater Hall of Fame.