
The Addams Family Musical
- 25-28 October 2023
- Queen Anne's Performing Arts Centre, Reading
Director & Choreographer
Nick Brannam
Musical Director
Trevor Defferd
Assistant Director
Sara El-Hanfy
Assistant Choreographer
Denise Schult

































The Addams Family, a comical feast that embraces the wackiness in every family, features an original story and it’s every father’s nightmare: Wednesday Addams, the ultimate princess of darkness, has grown up and fallen in love with a sweet, smart young man from a respectable family – a man her parents have never met. And if that wasn’t upsetting enough, Wednesday confides in her father and begs him not to tell her mother. Now, Gomez Addams must do something he’s never done before – keep a secret from his beloved wife, Morticia. Everything will change for the whole family on the fateful night they host a dinner for Wednesday’s “normal” boyfriend and his parents.
Book by
MARSHALL BRICKMAN
and RICK ELICE
Music
and Lyrics
ANDREW LIPPA
Based on characters Created by Charles Addams
Originally produced on Broadway by Stuart Oken, Roy Furman, Michael Leavitt, Five Cent Productions, Stephen Schuler, Decca Theatricals, Scott M. Delman, Stuart Ditsky, Terry Allen Kramer, Stephanie P. McClelland, James L. Nederlander, Eva Price, Jam Theatricals/Mary LuRoffe, Pittsburgh CLO/Gutterman-Swinsky, Vivek Tiwary/Gary Kaplan, The Weinstein Company/Clarence, LLC, Adam Zotovich/Tribe Theatricals. By Special Arrangement with Elephant Eye Theatrical
Performed by The Sainsbury Singers, an award-winning musical theatre group based in Reading. The Addams Family Musical was presented through special arrangement with and all authorised performance materials were supplied by Theatrical Rights (TRW). theatricalrights.co.uk
The verdict....
★ ★ ★ ★ ★
“What an outstanding show! Everything from the casting, orchestra, staging and lighting made for an exceptional show performance. The entire production was of West End quality. The leads who played Morticia and Gomez were so authentic I believed them to be of a professional standard. Once again The Sainsbury’s Singers deliver an all round entertaining show. Bravo!”
“It was an amazing production full of music, comedy, spookiness and everything you’d want before Halloween. I said to my boyfriend that it was almost like going to a London theatre and watching professionals perform and do what they do best.”
“The whole show was just amazing, from the actors to the smallest prop, the singing and dancing were so in tune, the whole production quality is better than many mainstream movie musicals.”
“Honestly one of the best shows I’ve seen in years. Every part was played so well. Every song performed brilliantly. It’s been easy to recommend to anyone who’ll listen!”
“Very high standard performance by the actors and orchestra, very smooth at scene changes.”
“The characters were spot on. Felt like we were taken on a journey with the Addams. Thoroughly enjoyed it.”
“It was funny, a great performance, and great interaction with the crowd. We loved it!”
“What an excellent production – It ticked all the boxes for me, with fantastic acting, singing, costumes and music and it was very funny too (especially Grandma, hilarious!). A thoroughly enjoyable show – thank you!”
“I was not familiar with this musical but it proved to be very enjoyable. The show was very well presented and the cast was energetic and enthusiastic. I had a great evening. The venue was also good. Thank you.”
“I am Head of Drama at Queen Anne’s and I have 37 years teaching experience. I loved the show and, as a rule, I don’t really like musical theatre! There was great enjoyment from the cast and the show was very professional; far better than some of the stuff I’ve seen in the West End!”
“A fun packed evening with hilarity in spades! Fabulous acting and pitch perfect singing. We especially loved Fester, Pugsley and Grandma but all actors performed to a high professional standard. Costume and make-up deserve a special mention. So much to enjoy.”
“Superb performance! Thoroughly enjoyed it. A great mix of acting, singing and humour. Costumes and makeup were excellent. The live orchestra was the icing on the cake – amazing musicians! The whole thing was excellent and made for a really wonderful evening out. Thank you to all”
“A fantastic show! I took my 12 year old daughter who also loved it! Great songs, super costumes and wonderful singers. A show for young and old and anyone in between! Highly recommend it.”
“Absolutely first class! Gomez and Wednesday Addams – incredible singing voices – West End quality!”
“What a knockout show! Such strong performances and really great singers. I loved it!”
“Exceeded all expectations! A truly professional performance. Not a missed note or misplaced step in the fabulously choreographed dancing. Brilliant comic timing. And live music! Superlative!”
“The show was absolutely brilliant last night. Every single member of the cast worked so hard all show and it paid off. The ensemble’s outfits were so detailed and varied it was a joy to watch them all be their characters. The leads were all incredible, we were just blown away.”
“Great show, well executed and very funny! Phenomenal cast and supporting band, must watch this year!”
“What a time we had! The show was so much fun. Wasn’t the same as the films in style but the performance was at a professional level. The music was so catchy we were singing it on the way home.”
“Surprising, delightful and outstanding performance, dancing and singing, doubled with live musicians playing several instruments. Most enjoyable family day out of this half term.”
★ ★ ★ ★ ★
“Fantastic performance, we loved the singing! It’s clear a huge amount of dedication went into preparation for this.”
“A fantastically entertaining show with excellent performances from the whole cast. Casting was excellent with both performing and singing from everyone being top notch. Set design was excellent too and really added to the show!”
“I wasn’t expecting such a professional looking production in terms of the costumes and set for an amateur society. Not an expert but singing seemed to me to be of a high standard. Will definitely look out for future shows.”
“Excellent night out, with some belly laughs for good measure! Great comedic timing, excellently cast, and powerful voices all around. Great to have a light hearted funny show during these dark times. Thank you.”
“A very fun and entertaining production. I would watch it again!”
“The cast were fantastic, fully invested in their characters, and with great voices coping well with the tricky score. Thoroughly entertaining.”
“Thoroughly impressed with the whole show package. The singers were amazing, the costumes very good and the stage production for a venue of that size was also way beyond expected. I would definitely come to watch another show in the future.”
“Fun show, some great lead performances, in particular Lucy Hutson playing Morticia and the actor playing Gomez. They both gave fantastic vocal performances. I particularly loved how Lucy embodied Morticia and held that character throughout. Overall a strong cast”
I was delighted to join The Sainsbury Singers for their spooktacular production of The Addams Family which I thoroughly enjoyed. It was such a fun show and very entertaining, with great characters, catchy tunes, and a witty script.
The production was very well cast, and all of the principals produced outstanding characterisations, which were clearly recognisable and very well developed. The quality of their acting was excellent, with good pace and the director had ensured that they brought out all the humour and poignancy of the script. The MD had done a good job working on the many songs with the lead principals and ensemble and the quality of the singing and harmony was outstanding. Every one of the musical numbers had been well developed and this accomplished cast gave splendid performances both in their singing and dancing.
This ensemble was fabulous, with all these actors working together as a cohesive group and each performer playing their own ancestor role with energy and accuracy. They had all developed the characterisation of their roles with engaging physicality, movement and gestures that fitted their ancestor perfectly.
The costume team had done a great job to provide the characters with the iconic costumes that are synonymous with the Addams Family. The costumes for the ancestors were also excellent and authentic for each of the individual characters. They were cleverly designed to follow the Addams Family timeline through the ages and then dyed grey to give the right effect for the dead and undecided. Altogether, this was an excellent production and one to be very proud of!
Cate Naylor – NODA Regional Representative (District L13)
Meet the team...
Character | Played by |
---|---|
Gomez Addams | Steve Jewell |
Morticia Addams | Lucy Hutson |
Fester Addams | Dean Davis |
Grandma Addams | Cath Hannan |
Wednesday Addams | Jessica Wilkins |
Pugsley Addams | Jo Shannon-Little |
Lurch | Simon Moore |
Lucas Beineke | Dan Wainman |
Mal Beineke | Brian Bretney |
Alice Beineke | Cat Hill |
Addams Ancestors: Alex Hutson, Becca Harrington, Brigitta Rostyo, Chris Thomas, Denise Schult, Elysia Robinson, Hannah Scarisbrick-Rowe, Jessamy Vincent, Josh Bethel, Kate Petford, Kaz Grainger, Kelly Herman, Laura Manderson, Laura Rountree, Laura Schult, Lorraine Cox, Maea Rulton-Best, Mel Constance, Michael Schult, Penny Sentance, Rosie Sumner, Sam Viner, Sarah Morris, Sean Faulkner, Stephen Cox
Conducted by Trevor Defferd
Instrument | Played by |
---|---|
Violin | Victoria Stapleton |
Cello | Bryony Rawstron |
Bass | Jonathan Williams |
Reed 1 | Anna O’Brien |
Reed 2 | Victoria Benjamin |
Trumpet | Gregor Spowart |
Keyboards | Cameron Baker, Anton Gwilt |
Percussion | Luke Wyeth |
Production team
Role | Person |
---|---|
Director/Choreographer | Nick Brannam |
Musical Director | Trevor Defferd |
Assistant Director | Sara El-Hanfy |
Assistant Choreographer | Denise Schult |
Back stage
Role | Person / Team |
---|---|
Prompt | Melanie Gogerly |
Production Coordinator | Jackie Stoffels |
Lighting Design and Operation | Rebecca Simons |
Followspot Operator | Richard Haygreen |
Production Technical Coordinator and Lighting Programmer | Louis Martin |
Stage Manager | Caroline Saunders |
Assistant Stage Manager | Alison Saunders |
Set Construction | Steve Brannam |
Stage Crew | Joe Daniels, Karen Korna, Mike Smith |
Sound Design & Operation | Dan Bryan |
Props | Alison Saunders, Kazia Grainger, Simon Turner (2nd Chanceprops) |
Costume Designer | Laura Schult |
Costume Team | Emma Fry, Hannah Rakowska, Jo O’Mahoney, Laura Schult, Louise Quelch |
Makeup & Hair Design | Laura Schult, Rosie Sumner |
Front of House Presentation | Jessamy Vincent |
Front of House Manager & Fire Marshal | Olivia Land |
Front of House Co-ordinator | Michael Schult |
Front of House Liaison | Kate Petford, Lucy Hutson |
Bar Manager & First Aider | Claire Wilson |
Front of House Team | Melany Anderson, Rachel Masters, Elaine Harvey, Amelia Holman, Jake Land, Eve MacDonald, Alex Maitland, Zoe Masters, Gabi Petford, Jorgia Petford, Andy Schult, Colin Schult, Maria Carratt, Hils Latimer |
Suppliers and collaborators
Role | Person / Team |
---|---|
Lighting / Sound Equipment Hire | Dinrino Theatre Services |
Webmaster | Kim Hollamby |
Marketing Officer & Publishing Manager | Jessamy Vincent |
Creative & Digital Marketing Lead | Dan Wainman |
Marketing Team | Dan Wainman, Denise Schult, Eve MacDonald, Hannah Scarisbrick-Rowe, Jessamy Vincent, Kazia Grainger, Louise Quelch, Steve Jewell |
Photography (Rehearsal and Dress rehearsal) | Emma Ramskill |
Biography Photos | Johanna Shannon-Little (jslittlephotography.co.uk) |
Ticket Officer | Stephen Cox |
Fundraising Lead | Michael Schult |
Fundraising Assistant | Lorraine Cox |
Social Team | Louise Quelch, Kate Petford |
Many thanks to…
The Grange United Reformed Church; Maureen Keeble, Tyndale Baptist Church; John Kemp; Lee, for his kind loan of the knight costume, indeed our knight in shining armour!
Explore the show...
Act One
- Overture (Addams Theme) — Orchestra
- When You’re An Addams — Addams Family, Ancestors
- Fester’s Manifesto — Fester
- Two Things — Gomez
- Wednesday’s Growing Up — Gomez
- Three Things — Gomez
- Trapped — Gomez
- Honor Roll / Pulled — Wednesday, Pugsley
- Four Things — Gomez
- One Normal Night — Company
- But Love (Reprise 1 & 2) — Fester, Ancestors
- Secrets — Morticia, Alice, Female Ancestors
- Trapped (Reprise) / Gomez’s What If — Gomez
- What If — Pugsley
- Full Disclosure Part 1 — Company
- Waiting — Alice
- Full Disclosure Part 2 — Company
Act Two
- Entr’acte — Orchestra
- Just Around the Corner — Morticia, Ancestors
- The Moon and Me — Fester, Female Ancestors
- Happy/Sad — Gomez
- Crazier Than You — Wednesday, Lucas
- Crazier Than You (Reprise) — Wednesday, Lucas, Mal, Alice
- Not Today — Gomez
- Let’s Live Before We Die — Gomez, Morticia
- Tango de Amor — Orchestra
- Finale: Move Toward the Darkness — Lurch, Company
- Bows/When You’re An Addams (Encore)” — Company
Act One
The ghoulish Addams family are visiting the graveyard for an annual gathering of all family members (living, dead, and undecided) to celebrate what it is to be an Addams. Uncle Fester addresses the audience directly about the love between Wednesday and her new (normal) boyfriend Lucas, and states that the Ancestors will not be allowed to return to their graves until love prevails.
Wednesday confesses to Gomez that Lucas has proposed, but also makes him promise not to disclose her secret to Morticia until the two families all have dinner later that night and she knows that they can all get along. Morticia observes that Gomez is acting unusually, and this causes tension between them, especially because Morticia believes that Gomez has never lied to her before.
While torturing Pugsley on a rack, Wednesday admits that love is pulling her in a new direction. Meanwhile, Wednesday’s parents, Morticia and Gomez, worry about her changing ways. Morticia asks Gomez to cancel the dinner, but he and Wednesday want the Beinekes to visit, so Morticia is outnumbered.
Wednesday and Lucas beg their families to act normal, just for one night, while Fester reminds the ancestors that love needs to triumph or they won’t make it back to the afterlife.
As the Beinekes arrive the entire family are there to give them a uniquely Addams greeting. After the introductions Gomez takes Lucas’ father, Mal, and Morticia takes Lucas’ mother, Alice, away for a grand tour while Wednesday and Lucas take refuge away from the family. Morticia and Alice look through pictures of the Addams ancestors and talk about the dynamics of their respective relationships. Still believing that Gomez has never lied to her Morticia tells Alice how the secret to their happy marriage is total honesty. But when Morticia walks in on Gomez talking with Wednesday and Lucas she
begins to think he’s keeping something from her.
Elsewhere in the house Lucas tries to win over Pugsley, who is feeling abandoned during his sister’s new romance . Pugsley slides off to visit grandma and swipes a potion that he plans to use to bring back Wednesday’s dark side.
Later that night, the two families have finished dinner and Morticia suggests playing a traditional Addams Family game, “Full Disclosure”, in which drinking from a sacred chalice forces the drinker to disclose the unfiltered truth. Both families drink in turn, but Pugsley accidentally gives his potion to Alice, whose revelations cause Mal to get up to leave – at which point Wednesday reveals to everyone that her and Lucas are getting married.
Act Two
Wednesday & Lucas, Morticia & Gomez and Alice & Mal all fall out after the revelations of Full Disclosure – as Fester sneaks away to find his new love.
Outside, Gomez happens across Wednesday, who’s torn between her love and hate of Lucas. As he reassures her that every love comes with its ups and downs, Lucas appears hoping to mend the rift between them. Not quite convinced, Wednesday asks Lucas to prove his love by letting her shoot an apple off his head – he agrees and between them they can’t decide who’s crazier. As Wednesday shoots, the Addams ancestors appear and guide the arrow to split the apple.
The young lovers reunite – and, prompted by Fester, they are joined by Lucas’ parents, who appear more in love than ever.
Back in the Addams house Morticia comforts Pugsley, who is devastated that he may be losing his sister to her new romance. Gomez & Lurch plot how to win Morticia over, but meanwhile Morticia is planning her departure.
Outside, Gomez finds Morticia just as she is leaving; he reminds her how the circumstances of Wednesday’s romance mirror their own. The two make peace and reignite their romance with a tango.
With all the couples reconciled, Pugsley admits stealing grandma’s potion and accidentally slipping it to Alice – but rather than being angry with him, everyone congratulates him as love has triumphed.
Book – MARSHALL BRICKMAN, born in Brazil of American parents, attended New York public schools and the University of Wisconsin, where he received a double baccalaureate in both science and music.
He entered show business first as a member of the folk group The Tarriers and then, along with John and Michelle Phillips, as one of The New Journeymen, a precursor of The Mamas and the Papas, whose flamboyant life-style and eccentric harmonies defined the post-folk era of tuning up, turning on and cashing in.
Trading in his Gibson Mastertone 5-string banjo for an IBM Selectric, he secured a position as writer/director on Candid Camera, America’s original reality show, a wildly successful early experiment in monetizing public humiliation, for which he hereby apologizes.
Fleeing Candid Camera, Brickman found solace as head writer for Johnny Carson, whose late-night show on NBC emanated from the ironically named Radio City in midtown Manhattan, a stroke of luck that allowed him to stay as far from Los Angles as possible while still retaining U.S. citizenship. In 1970 he left NBC to become producer/head writer of Dick Cavett’s late-night show on ABC. Among the many ground-breaking events that Cavett introduced into the late-night formula was the night presidential hopeful George McGovern was interviewed by last-minute guest host Bill Russell of the Boston Celtics. The result was fascinating, not unlike watching a python ingesting a small cow.
Mr. Brickman’s film work as author (or co-author with Woody Allen) includes Sleeper, Annie Hall (Academy Award), Manhattan, (Academy Award nomination) and Manhattan Murder Mystery. As film writer/director:Simon, Lovesick, The Manhattan Project, Sister Mary Explains it All. In television: The Tonight Show with Johnny Carson (head writer, 1967-’70); The Dick Cavett Show (head writer/co-producer, 1970-’72).
Brickman’s recording (with ex-Tarrier Eric Weissberg) of the soundtrack of Deliverance, released in 1970, contained the surprise hit “Dueling Banjos,” achieved platinum status, and remains a healthy seller over 40 years later.
His first foray into musical theater resulted in Jersey Boys, which won the Tony, Olivier, Helpmann, Grammy and many other awards worldwide, has been seen by twenty million people worldwide and is one of the longest running shows in the history of Broadway. The film version of the show was directed by Clint Eastwood.
Mr. Brickman’s other theatrical efforts include Turn of the Century, which played to capacity houses in Chicago, and The Addams Family, starring Nathan Lane and Bebe Neuwirth, which ran for two years on Broadway and to date has had over four thousand first and second tier productions internationally.
In addition to his work in film and theater, Mr. Brickman was published in The New York Times, The New Yorker, Playboyand other periodicals. He was the 2006 recipient of the Writers’ Guild of America Ian McClellan Hunter Award for Lifetime Achievement.
After over 40 years in the business, trying to balance talent with opportunity and watching the careers of colleagues, both successful and less so, he can reduce what he’s learned into one succinct bit of wisdom: above all, it’s important to be lucky.
Book – RICK ELICE. On Broadway: Jersey Boys (Best Musical, 2006 Tony Award, 2007 Grammy Award and 2009 Olivier Award); The Addams Family; Peter and the Starcatcher (winner of five 2012 Tony Awards);and The Cher Show (winner of two 2019 Tony Awards). In the pipeline: The Princess Bride and Smash, co-written with Bob Martin; Silver Linings Playbook, a musical adaptation of the popular film; The Marvels, a musical adaptation of the popular novel; and Treasure, an original musical written with 2021 Ed Kleban Award-winner Benjamin Scheuer. From 1982-1999, as creative director at Serino Coyne Inc, Rick created and produced ad campaigns for more than 300 Broadway shows, from A Chorus Line to The Lion King. From 1999-2009, he served as creative consultant for The Walt Disney Studio. Charter member, American Repertory Theatre. Trustee, The Actors’ Fund. BA, Cornell University; MFA, Yale Drama School; Teaching Fellow, Harvard University. Heartfelt thanks to those he’s been lucky enough to know, whose work makes him grateful for the day he was born: Sondheim, Stoppard, Bennett, Prince, Fosse, Robbins, Nichols, Tune, Nunn, Timbers, McAnuff, Laurents, Lippa, Stone, Taymor, Papp, Schumacher, Schneider, Costello, Coyne, Brickman, and eternally, Roger Rees.
Music and Lyrics – ANDREW LIPPA is currently at work on numerous projects for stage and screen. New titles include Fairy Tale, written with Adam Gopnik, which tells the story of a father, a son, and the birth of Disco; La Casa de las Flores, written with Bob Martin and based on the hit Netflix Mexican television show; The Turning Point, based on the classic film and novel, for which Lippa is writing the book, music, and lyrics; and an original Christmas film musical titled A Totally Awesome Christmas Story with 10 new songs. His epic choral work Unbreakable had its world premiere with The San Francisco Gay Men’s Chorus in San Francisco with 300 artists onstage including Mr. Lippa. Many more choruses across the country have presented this new work and the original cast recording, produced by legendary producer Leslie Ann Jones, was released by GhostlightRecords.com. He conducted the Royal Philharmonic Orchestra in a new production of his A Little Princess in concert in London at the Royal Festival Hall in May, 2018 to a sold-out crowd of nearly 3,000 people.
His hit song “Evil Like Me” appears in Disney’s Descendants. Written for Kristin Chenoweth that soundtrack hit #1 on the “Billboard 200” album chart, #1 on the iTunes and Billboard soundtrack charts, has been viewed over 70 million times on YouTube and “Evil Like Me” was certified gold in 2017. On Feb. 1st, 2017, Lippa opened the new season of The American Songbook Series at Lincoln Center with his sold out concert of Andrew Lippa and Friends. In 2016, he composed and conducted a world premiere piece for the international piano virtuoso Lang Lang and the Guangzhou Symphony Orchestra in Guangzhou, China. This new work, a 32-minute, 5-movement piece called Rising Tide, was reprised later in 2016 and recorded in China. Lippa’s epic concert work I Am Anne Hutchinson/I Am Harvey Milk had its world premiere at The Music Center at Strathmore in April of 2016 starring Kristin Chenoweth as Anne Hutchinson and Mr. Lippa as Harvey Milk. Summer 2016 saw the US premiere of Life of the Party – a musical compendium of Mr. Lippa’s career – produced by Theatreworks in Mountain View, CA and starring Mr. Lippa. Summer of 2017, Bay Street Theater in Sag Harbor, NY, presented the world premiere of The Man in the Ceiling. Based on Jules Feiffer’s award-winning novel, this musical features a book by Mr. Feiffer and music and lyrics by Mr. Lippa who also played the role of Uncle Lester in this production. Recording also available on GhostlightRecords.com
Broadway credits include: Music and lyrics for Big Fish directed and choreographed by Susan Stroman; the Tony-nominated music and lyrics for the Broadway musical The Addams Family (directed by Jerry Zaks), as well as the music for Aaron Sorkin’s Broadway play The Farnsworth Invention (directed by Des McAnuff). Other musicals include the Drama Desk award-winning musical The Wild Party (book/music/lyrics); A Little Princess (music); john & jen (music/book); Asphalt Beach (music and lyrics); and You’re A Good Man, Charlie Brown (additional music/lyrics and arrangements), and the upcoming Love Somebody Now. His epic oratorio for men’s chorus, orchestra and soloists, I Am Harvey Milk has seen over 40 productions including Disney Hall, Lincoln Center, and London’s Cadogan Hall.
Awards: Tony, Emmy, Grammy nominations; shared Emmy for Nickelodeon’s “The Wonder Pets”; SFGMC Vanguard Award; The Gilman/Gonzalez-Falla Theater Foundation Award; ASCAP’s Richard Rodgers/New Horizons Award; The Drama Desk Award; The Outer Critics Circle Award. A graduate of the University of Michigan, Mr. Lippa serves as president of the board of The Dramatists Guild Foundation (dgf.org), recipient of the Tony Award for Excellence in the American Theater. He was born in Leeds, England, grew up in suburban Detroit, and is an ordained Interfaith minister.
Explore all things Andrew Lippa at andrewlippa.com!